What is the Word: Late Beckett Throbbing Between Drama and Poetry

Rosy Colombo –Introduction

Carla Locatelli – Loosening Linearity and Normalising the Breaches: Notes on Beckett’s Poems and Poetry, and Play-scripts and Dramatic Works Stanley E. Gontarski – Who Wrote Godot?, or Beckett’s Bad Quartos
Davide Crosara – Beckett’s “Imbedded Poetry” and the Challenge to Verse Drama
Rossana Sebellin – “I say it as I hear it”: Fundamental Sounds in Beckett’s Later Texts
Barry A. Spence – Juxtaposition Through Sundering: Beckett’s Exilic Body
Stefano Genetti – Choreographic Readings of Late Beckett. Al Segno by François Raffinot and Compagnie

Miscellany

Mavroeidis-Andreas Vyridis – This Stranger, My Son. The Ironic ξένος and δοῦλος in Euripides’ Ion
Gaia Benamati – The Breaking Wave. Trikymia and the Poetics of Natural Disaster in Euripides’ Drama
Lisa Marie Haasbroek – The Influence of Greek Theatre on Biblical Literature: Further Implications for the Study of Hellenistic Theatre
Alessandro Grilli – Digesting Aristophanes: the Assimilation of Attic Old Comedy in Jonson’s The Alchemist

Special Section and Critical Notes

Gherardo Ugolini – Mourning Becomes Electra and Also the Old Oedipus. Two Sophoclean Tragedies on Stage at the Greek Theatre in Syracuse Simona Laghi – Anne-Madeleine Goulet and Michela Berti, eds. Noble Magnificence. Culture of the Performing Arts in Rome 1644-1470. Turnhout: Brepols Publishers, 2024. ISBN: 978-2-503-61312-3; E-ISBN: 978-2-503-61313-0 (e-book)
Elisa Bizzotto – Francesco Marroni, Henrik Ibsen e la spettralizzazione del reale. Chieti: Solfanelli, 2022. ISBN 978-88-3305-613-5, pp. 122